The municipal vandals have completed the demolition of Dalston's heritage buildings. They have destroyed the earliest surviving circus entrance in England. This 1886 entrance, with its stepped parapet and Corinthian pilasters, was described as "extremely rare" by the Theatres Trust and as "altogether quite delightful" by English Heritage. It was an urban gem.
The philistines have also destroyed the 1898 entrance to Dalston Variety Theatre, built forward from the circus entrance, and which for 33 years was the home of Newton Dunbar's legendary reggae and soul music club, The Four Aces, and became a second home to international black musicians.
Gone too are the locally listed Georgian houses next door,the earliest in Dalston Lane, which the Council's policy was to "preserve and enhance", and which made up this unique group of historic buildings.
Also destroyed forever is the Dalston Theatre, where Hackney's own international music hall star Marie Lloyd worked and which Compton MacKenzie's father managed. The magnificent interiors became the jewel in Dalston's crown in 1920 when it was converted, at enormous expense, into a cinema. In its final years the Theatre became the home of the Labyrinth Club.
Hackney Council acquired these heritage buildings in 1977 and their destruction began in 1995 when it declared the Theatre a development site. The Theatre's roof was removed, the occupiers evicted, the buildings were boarded up and they ran to ruin whilst the Council awaited offers from developers.
The demolitions have been financed by the London Development Agency, with the agreement and approval of Transport for London and the Greater London Authority.
The government refused to intervene. The authorities said that redevelopment of the site with tower blocks, and children living up to the 20th floor, was essential to finance New Dalston's transport interchange as part of the 2012 Olympic infrastructure. The Council will give TfL the profit from the sale of its site to meet the £39 cost of a concrete slab for a bus station above the rail station
These buildings stood as landmarks in our lives and in the lives of Dalston's previous generations. Since April 2005 OPEN has fought to save something of the site's 185 year diverse cultural history. We informed and worked with the community, we sought to persuade the authorities through consultation, petitions, planning objections and personal contacts. We obtained four Court injunctions to stay their hand. But the forces of municipal vandalism had made up their minds long before the public consultation started and have now achieved their objectives.
The Vandals: an eastern Germanic tribe which earned notoriety by it sacking Rome in the 5th century but which was defeated by the Goths.
Vandalism: the gratuitous anti-social destruction of the environment and artistic creations.
Municipal vandalism: the destruction of our cultural heritage by corporate ignorance, deliberate neglect, vanity and greed all in the name of progress
Hackney Council and Transport for London now have plans to complete the demolition and Croydonisation of the remainder of Dalston Junction. The writing is on the wall.
“Con”
noun: a complicated confidence trick planned and executed with great care;
verb: to deprive of by deceit;
colloquial: abbreviation of consultation
How did this happen? Read the posting
"The story that was never told" for a more detailed history.
It is absoloutly unforgivable for local councils to think they have the authority to do such disatrous planning. I spend my working life trying to piece together the mess that these people made in the 60's and 70's through proper planing based on sound urban design principles and i'm ashamed that these things are still ocurring. These councillors and planners should be tried as criminals and all involved in this demolition should be ashamed and and know that history will judge them with contempt.
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